I am in Iceland for roughly 26 hours (of which at least 5 are taken up with the airport and getting to/from it). Luckily, the friend-of-a-friend who is letting me stay the night lives within walking distance of the National Museum of Iceland.
My path through the museum was somewhat random, as I was doding a school group which entered about the same time I did, but the overall layout of the two gallery floors was more or less chronological as well as thematic. Themes overlapped, but everything pre-1700 was on the second floor, and everything post was on the third (the ground being for the museum shop and cafe).
I was frustrated by some things, for example the fact that it was unclear whether labels were indiciating where an item was found or where it was made. On the other hand, I thought the museum found clever ways to deal with lighting and sound issues in an open floor plan gallery. In at least two instances – medieval textiles and 18th century drawings – items were kept in plexiglass topped drawers which the visitor could pull out, but which were weighted to slide back when let go. In addition, particularly on the second floor, the museum used partitions and coloured plexiglass to create small rooms or spaces with motion-sensor lighting. One of these housed medieval embroideries, and another included not only ecclesiastical art but a soundtrack of latin chant music, which was contained by the walls of the ´room.´Along with vertical display panels and cases, these room-like spaces created discrete areas in the museum for each theme or era.
It´s a very nice museum, with a lovely cafe on the ground floor (with free wifi!). If you have a chance to visit, I recommend it.
(P.S. please forgive any odd spellings or punctuation. I´m writing on a European/Icelandic keyboard)